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The most underrated writer in yes

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  • The most underrated writer in yes

    Something that occured to me many talk about Jon anderson or Steve Howe or Trevor Rabin or trevor horn but Chris is writer that helped create a lot of classic yes songs and some modern stuff that i enjoy

    list of songs Squire either wrote or cowrote

    beyond and before
    harold land
    looking around
    sweetness
    the prophet
    for everyone
    dear father
    yours is no disgrace
    starship trooper
    ive seen all good people
    perptual change
    southside of the sky
    the fish
    heart of the sunrise
    and you and i
    (the way Wikipedia lists song writers and music for tales is weird it says he only co wrote remembering, and the ancient but i think the 5 of them wrote every song so yeah)
    All of relayer
    parallels
    future times/rejoice
    dont kill the whale
    release release
    onward
    on the silent wings of freedom
    money
    you can be saved
    country side
    golden age
    richard
    in the tower
    friend of a friend
    all of drama
    go through this
    crossfire
    telephone secrets
    fortune hunter
    run with the fox
    Owner of a lonely heart
    hold on
    it can happen
    Cinema
    leave it
    Our song
    hearts
    it can happen cinema version
    All of big generator except for love will find a way and holy lamb (special mention to the best bass line of the late 80’s i’m running
    love conquers all
    lift me up
    the more we live let go
    the calling
    real love
    be the one
    that that is
    mind drive
    footprints
    children of light
    all of open your eyes
    all of the ladder
    all of magnification (special mention to can you imagine)
    Fly from here suite (year parts1 and 5 are all he is credited with but i am not splitting up epics)
    the man you always wanted me to be
    into the storm
    the game
    in a world of our own
    the gift of love


    that is a pretty impressive list honestly and one that should be celebrated







  • #2
    Alan White
    Not on Yes' payroll.

    Comment


    • #3
      Originally posted by josuev80
      Alan White
      I can do a list for him

      Comment


      • #4
        Francis Monkman

        Comment


        • #5
          Originally posted by josuev80
          Alan White
          I think a strong case can be made for him, yes.

          I think Tony Kaye's writing contributions are underrated.

          Comment


          • #6
            Eddy Offord
            Sometimes the lights all shining on me, other times I can barely see.
            Lately it occurs to me what a long strange trip it’s been.

            Comment


            • #7
              Originally posted by bondegezou

              I think a strong case can be made for him, yes.

              I think Tony Kaye's writing contributions are underrated.
              Especially on Big Generator.

              Comment


              • #8
                Really you could make an argument for almost anyone but Anderson/Howe/Rabin, maybe even Wakeman I-or Bruford. But yeah, Squire and White, even skipping the albums that are all group-assigned, certainly had their share of monster songs.

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                • #9
                  Squire's writing contributions are extensive and sound-defining. But I never think of him as underrated - I always think of him as front and center.

                  I agree with josuev80 and Henry above. White and Kaye are far more underrated. ​

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                  • #10
                    Originally posted by Homemade Parachute
                    Really you could make an argument for almost anyone but Anderson/Howe/Rabin, maybe even Wakeman I-or Bruford. But yeah, Squire and White, even skipping the albums that are all group-assigned, certainly had their share of monster songs.
                    Anderson, Howe and Squire have the most writing credits in Yes and roughly level. White comes in 4th. Rabin is way back in 5th: he was obviously a dominant songwriter on the 3 and a bit YesWest albums, but Yes have released a lot more albums than that!

                    There calculations and rabin105's list above include those albums where everyone in the band is co-credited as a writer on everything. That can be misleading, particularly on albums like ABWH and Open Your Eyes.

                    Comment


                    • #11
                      Originally posted by bondegezou

                      Anderson, Howe and Squire have the most writing credits in Yes and roughly level. White comes in 4th. Rabin is way back in 5th: he was obviously a dominant songwriter on the 3 and a bit YesWest albums, but Yes have released a lot more albums than that!

                      There calculations and rabin105's list above include those albums where everyone in the band is co-credited as a writer on everything. That can be misleading, particularly on albums like ABWH and Open Your Eyes.
                      Still i wanted to create a thread honoring chris so now in yes music i will create a different thread

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                      • #12
                        Originally posted by bondegezou

                        Anderson, Howe and Squire have the most writing credits in Yes and roughly level. White comes in 4th. Rabin is way back in 5th: he was obviously a dominant songwriter on the 3 and a bit YesWest albums, but Yes have released a lot more albums than that!
                        You're certainly right about the overall numbers, I guess my sense was Rabin's impact is much larger than it appears from the three and a half albums he appears on - all but two tracks from 90125/BG/Talk/Union have a Rabin credit.

                        My sense of the group-credited albums is, as you say, ABWH and OYE are maybe more about politics and/or finances than actual writing contributions, but The Ladder feels to me more actually group written and arranged, though I'm less sure of Magnification…

                        Comment


                        • #13
                          I wouldn't say that Chris Squire is underrated as a writer in Yes because I think we all correctly rate him highly. He's the one fella I've never heard anyone claim to have made any mistakes, musically, ever. It's like he's the one untouchable aspect. I myself can't think of any criticism of anything he's ever done.

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                          • #14
                            I think TK is not given his dues- in the long interview available on this site it seems he did a lot more on 90125 & BG - and he was there "everyday" with TR when they wrote Talk-
                            M

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                            • #15
                              Originally posted by Homemade Parachute
                              My sense of the group-credited albums is, as you say, ABWH and OYE are maybe more about politics and/or finances than actual writing contributions, but The Ladder feels to me more actually group written and arranged, though I'm less sure of Magnification…
                              Aymeric Leroy did an interview with Sherwood that goes through The Ladder tracks and who wrote what to an extent: http://www.bondegezou.co.uk/iv/bsinterview.htm#p3 Magnification is more of an enigma.

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